About

À propos — thirty years of drawing, from Shonen Jump to the Paris Opera.

— A mangaka who draws the people no one looks at. —
Kenichi Kiriki — self-portrait avatar

At a glance

  • Kenichi Kiriki 桐木憲一
  • Born 1976, Yamaguchi, Japan — based in Tokyo
  • Debut 1991, Weekly Shonen Jump (Shueisha)
  • 78th Hop Step Award; runner-up, 36th Akatsuka Award
  • Published in French, Italian, Korean
  • Two live-action film adaptations (2013, 2018)
  • Reviewed in Le Monde, ActuaBD, BoDoï
  • Cultural ambassador of Hagi City
  • Languages: JP / EN materials, FR in preparation

The story runs from Tokiwa-so
to the ateliers of Paris.

Kenichi Kiriki debuted in Weekly Shonen Jump in 1991 at age fifteen, winning the magazine's Hop Step Award — and the following year, the runner-up prize of the Akatsuka Award, named for the legendary Fujio Akatsuka. Years later the connection became literal: Kiriki worked from a room in Shiunso, the surviving apartment near the fabled Tokiwa-so where Akatsuka himself once drew, and mentored the next generation of manga artists there.

His breakthrough as an author came with Tokyo Shutter Girl (2010–2013), a lyrical series about a high-school photographer walking the hidden corners of Tokyo. It became a live-action film in 2013, was published in France as La Photographe — praised in Le Monde — and was followed by Kanazawa Shutter Girl, filmed in 2018. Both series share one conviction: that the most valuable thing an artist can do is look carefully at what everyone else walks past.

That conviction now drives the Painter Series — graphic novels on Degas, Lautrec, and the people they painted — created for the French bande dessinée market. Alongside his own work, Kiriki has spent a decade inside Japan's digital manga and Webtoon industry as an editor, editor-in-chief and studio director.

He is currently at work on a new historical series with a major French publisher.

EN BREF — FRANÇAIS Mangaka japonais, publié en France (La Photographe, Komikku Éditions, salué par Le Monde). Deux adaptations en film. Travaille actuellement sur une série historique avec un grand éditeur français, ainsi que sur une série de romans graphiques consacrés aux peintres — Degas, Lautrec. Dossiers disponibles en anglais et en français.
— "What does a painter see in another human being?" —

Three principles

I.

Walk first, draw second

Tokyo, Kanazawa, Paris — every series begins on foot, with cameras, archives and location research before a single panel is drawn.

II.

History, honestly

Real settings, real institutions, real stakes. Fiction inspired by real people — never put words in the mouths of the dead that history cannot support.

III.

Show, don't narrate

Few speech balloons, no explanatory captions. If the panel cannot say it, the panel is redrawn until it can.

Work with me

Publishing, editorial and rights inquiries — English or Japanese. Réponse possible en français.

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