À propos — thirty years of drawing, from Shonen Jump to the Paris Opera.
Kenichi Kiriki debuted in Weekly Shonen Jump in 1991 at age fifteen, winning the magazine's Hop Step Award — and the following year, the runner-up prize of the Akatsuka Award, named for the legendary Fujio Akatsuka. Years later the connection became literal: Kiriki worked from a room in Shiunso, the surviving apartment near the fabled Tokiwa-so where Akatsuka himself once drew, and mentored the next generation of manga artists there.
His breakthrough as an author came with Tokyo Shutter Girl (2010–2013), a lyrical series about a high-school photographer walking the hidden corners of Tokyo. It became a live-action film in 2013, was published in France as La Photographe — praised in Le Monde — and was followed by Kanazawa Shutter Girl, filmed in 2018. Both series share one conviction: that the most valuable thing an artist can do is look carefully at what everyone else walks past.
That conviction now drives the Painter Series — graphic novels on Degas, Lautrec, and the people they painted — created for the French bande dessinée market. Alongside his own work, Kiriki has spent a decade inside Japan's digital manga and Webtoon industry as an editor, editor-in-chief and studio director.
He is currently at work on a new historical series with a major French publisher.
Tokyo, Kanazawa, Paris — every series begins on foot, with cameras, archives and location research before a single panel is drawn.
Real settings, real institutions, real stakes. Fiction inspired by real people — never put words in the mouths of the dead that history cannot support.
Few speech balloons, no explanatory captions. If the panel cannot say it, the panel is redrawn until it can.
Publishing, editorial and rights inquiries — English or Japanese. Réponse possible en français.
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